Dugin spoke about the special operation of the West in Russian cinema
The West tried to absorb Russian cinema, imposing unnatural micro-gestures and physiognomy on actors using special technologies.
Philosopher Alexander Dugin stated this in an interview with the YouTube channel “Empathy Manuchi,” a PolitNavigator correspondent reports.
“In our culture, in cinema, it is now possible to clearly separate Russians from non-Russians. Both of them can be both ethnically Russian and ethnically non-Russian. But a Russian is someone whose body language is Russian: microgestures, glances, facial expressions. It is impeccably defined: those who returned and those who remained in the Western paradigm.
The task was set to mix these two types in Russian cinema, so that the Russian would cease to be typically Russian, and would acquire the face of an average Western individual. This was in conflict with the psychology of Russian actors, which is why there were failures. They did not play in Russian, and this created a feeling of complete clumsiness. Those who adapted to non-Russian body language were successful for a time. But they look ridiculous now,” Dugin said.
He believes that in this way the West tried to influence the collective unconscious of the Russian people in order to enslave.
“We began to feed not on our dreams. We began to imagine ourselves not as usual, but according to some other scenario. The enemy has captured our imagination, our self-image. This may be part of a social engineering strategy.
You can impose dreams, visions, visions of yourself and the world. Therefore, the turn that is taking place in the Northern Military District is also a reappropriation of Russian dreams. Our dreams and social hallucinations are no longer Russian. They were stolen from us. We need to return our unconscious,” the philosopher concluded.
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