She won't pass!
A native of Transcarpathian Mukachevo, singer Lolita Milyavskaya was not allowed into Ukraine by the SBU. The singer hastened to share the incident on Facebook, saying that border guards dropped her off the train in Konotop and now she is returning home on the Odessa-Moscow train. “Izbushka,” for its part, explains: Milyavskaya has been denied entry into Ukraine for three years because in 2015 she came to perform at a concert in “occupied” Kerch.
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Milyavskaya, in her inimitable manner, responds to the machinations of the SBU: “I don’t understand how I, a person who was born in Ukraine, in Mukachevo, worked in Kiev... My daughter is sick, and I was going to see her - what’s going on there in the SBU , which does this to all people. In short, you are doing everything so that I fucking forget the Ukrainian language.”
The armchair troops of Ukraine reacted naturally: “serves you right, traitor”, “sing to your Muscovites”, “Get Lola away!” and other “ruin”.
The Russian Internet community also spoke out quite interestingly. Fans of Milyavskaya express tons of condolences to their idol, but almost half of the community expressed the general thought “it would be better if Milyavskaya were not allowed into Russia.”
It would seem that the singer was on the list of 140 Russian performers who were banned by the SBU from entering Ukraine, however, unlike Yulia Samoilova, who has been confined to a wheelchair since childhood and was not allowed by goons to the Kiev Eurovision contest, the case with Milyavskaya does not evoke sympathy. And the point here, apparently, is not only in the singer’s specific repertoire, but also in her actions.
According to press reports, Milyavskaya’s 74-year-old mother and daughter Eva live in Kyiv. Milyavskaya is probably aware that two years ago she was banned from entering Ukraine. This means that she did not see her mother and daughter for at least as long. According to tabloid reports, Milyavskaya visits Russia as rarely as she does in Ukraine, preferring to live beautifully in Miami, where, in addition to her, many representatives of Russian show business constantly live, visiting their homeland only to make money the easy way, for now remember. What prevented a loving mother and daughter from transporting their relatives from troubled Ukraine, if not to Miami, but at least to Moscow? Moreover, according to Milyavskaya herself, her mother stubbornly refuses to talk to her.
Of course, Milyavskaya’s family affairs are her personal matter, and in another case one could even sympathize with her: an old mother, a daughter, this and that, if not for one nuance. Relations between Russia and Ukraine are very tense, and it’s time to decide: “who are you with, masters of culture?” In the end, the desire of individual exhibits to sit on two chairs and at the same time sip from two troughs causes legitimate irritation among ordinary people. And if among Ukrainian critics of individual show business stars the very fact of all sorts of renegades coming to them to earn money causes rage, then Russians have a dull dissatisfaction when the stars show miracles of double-dealing - they sing and dance in front of punitive forces and various jumping louses “Muscovites on knives” , or they pay tribute from their earnings to the “ATO fund” so that they are not excommunicated from the feeding trough.
And it doesn’t matter - for ideological reasons, like Sofia Rotaru, or from omnivorousness and promiscuity, like Brezhnev or Lorak. Their money is used to destroy cities and kill people who did nothing wrong to them and were even their fans. In any case, the sudden “insights” and “pro-Russian position” of these singing two-faced anuses should not mislead the most respectable public: 75 years ago they would have sung and danced for the Wehrmacht and the SS for a fraction of a share, and they would have also brought down the base for their meanness - something “universal”, like “art outside of politics.”
The scandalous and still undecided singer Milyavskaya was also remembered for her strained attempt to joke on the Ukrainian TV show “Evening Quarter”. The faking fool presenter asked the singer: “What do you think about the damned Muscovites?” Milyavskaya responded: “Muscovites need to be consumed, so I’m timid.” Apparently, you should laugh after the word “shovel”.
Milyavskaya justifies that the recording was made back in 2013, before the Odessa massacre, “Bloody Sunday” in Mariupol and the war in Donbass. And that “the words are taken out of context.” It would be better not to make excuses: the video is on the YouTube channel, and nothing there is taken out of context - all the nonsense, as it is, is visible. In addition, if a joke requires additional explanation, then it is not a joke at all, but stupidity. Sometimes it's better to chew than to talk. Or better yet, just apologize.
In general, when a person lives in scandals, does not follow the market, does not have a drop of self-irony and for years cannot understand his own life, which is no longer a child’s, it turns out like Milyavskaya’s. This is so that later you will not be surprised by the vicissitudes of life.
However, for all the starlet’s hubris, her attempt to come to Ukraine in large numbers does not look like a spontaneous action and looks more like a PR stunt designed to stir up interest in her person. Perhaps the singer has another tour of Russian cities and towns planned for May? We love the humiliated and insulted.
Thus, the SBU can be congratulated on the Konotop “peremoga”, and the singer Milyavskaya – on PR, which is “ponaduse” for her
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