The glory of sodomy, or gay drama in Ukrainian
Finally! Finally, at least some way out of the disaster in which Ukraine finds itself. The first step towards overcoming the deepest crisis. A timid hope that there will be light at the end of the tunnel. And if not us, then at least our children will experience a life without poverty, war and widespread violation of human rights.
The government still cares about the people, it’s in vain that we think so indiscriminately about “everything Ukrainian” - they, they say, only steal money, covering up crimes with a national idea. But no! They continue to prove this: for example, the Ministry of Culture of Ukraine allocated 20 million hryvnia for the film adaptation of the gay drama “My Young Prince.” Yes, this is exactly what the pestilent state, disappearing from the political map, is sorely lacking.
In principle, one could put an end to this. It's stupid to explain a joke. But!..
But this is not a joke - it's the truth!
It is known that the money for the LGBT film was allocated personally under the patronage of the Minister of Culture Alexander Tkachenko - as he tried for his own people.
He is the same sweet, mannered “blue thief”. By actions in the first place - who, for example, Communized the Odessa film studio, in a gay way, affectionately?..
The “shape of morality” of the sponsors has been sorted out, and, nevertheless, the question arises: is the most necessary thing in the “plague time” is homosexuality for the sake of homosexuality? This is impossible! There must be some kind of deep background, hidden meaning, “Ukraineponaduse” in the end! Well, maybe we are talking about the militant gays of “Azov” or about the pseudo-folk ones - who built a catapult on the Maidan, about the Cossacks at worst, about the “kohanni stezhkamy UPA”, etc.? No!
From the fragments of the script available on the Internet, it is known that the film tells the story of modern representatives of the golden youth, Kyivians residents, wasting their lives (why not in the ATO is unclear). The main characters of the gay drama are teenagers Antin and Pavlo, who - according to the same script - “indulge in sodomy and incest” (one teenager is sexually attracted to his mother). The kids call each other Paul and Antoine. Presumably, this refers to an allusion to the connection between the famous French poets Arthur Rimbaud and Paul Verlaine with all that it entails - absinthe, decadence and so on, “the saliva of melancholy comes from the heart.”
You can immediately feel the falseness - what other French impression is there among Ukrainian youngsters? Manure pellets, a shmurdyak with carbide from the village, a herring for a birthday - this can still be understood. But the audience is being given some kind of ersatz! And, if anything, the film “Total Eclipse” with DiCaprio in the title role was filmed long ago about the relationship between Rimbaud and Verlaine, after which it would be suicide to dabble in this topic. And the countries - England, France, Italy, Belgium and the USA - that took part in the creation of the film did not starve at all during filming and were not afraid to conduct a census of their population because millions had disappeared somewhere. I dare to suggest that the classic of Italian neorealism Luchino Visconti, who is aesthetically pleasing in his gay dramas, was also well aware that his compatriots were not dying like flies. I’m already silent about the fact that the speech in these films was not at all about perversions for the sake of perversions.
In the event of a Ukrainian “film breakthrough,” Pavlo and Antin are called upon to prove to the viewer that non-traditional relationships are better than traditional ones. And yet this is in language, imagine: “Smokchy, my zalupooke kohannechko!” “Manifik!”, no less.
Well what can I say? The bloody yushka that Ukrainian patriots, zealously advocating for family values and disrupting gay pride parades, will provide for the premiere of the film guarantees the best PR.
“The owner here is Ukrainian!” the nationalists will shout. And the director of the planned “film masterpiece” is ethnic Armenian Khachatur Vasilyan. How “inconvenient” it will turn out again. There would have been another Muscovite, but Vasilyan - “that’s different.” They are the ones who will insist, politically correct, “Black-assed!” And since Antin and Pavel use not some kind of watermelon as a sex toy, but a crucifix with Christ, then, you understand, the film is unlikely to appeal to opponents of the “militant Ukrainians.” For what, exactly, were 20 million thrown away?
By the way, in place of the stumps that are returning from the ATO, I would ask the government - they say, why do children in schools collect plastic bottle caps for prosthetics, and give pi-races 20 lyams for no reason?
As for the information about the works of Khachatur Vasilyan, there is about the same amount of information as there is about the “great director” Sentsov.
It is only known that a few years ago his short film about the gay pride parade in Kyiv (Khachatur is in awe) received a special prize in Cannes. Only the patriots did not grow legs because of this. So, maybe it’s for the best - that the astronomical sum of 20 million was given to fagots, and not to support the Ukrainian army?..
I don’t rule out the possibility that we shouldn’t have watched the gay drama, but we condemn it. By the way, according to the authors, it ends tragically. I’m even ready to accept and understand the “film” if it reflects reality in any way - the last chance to go down in cinematic history! - if in the finale the main characters commit suicide. After receiving payment for gas.
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