In the Rada, the poetess Akhmatova was declared a Ukrainian, stolen by the Muscovites
On the night of March 6, 2018, another Ukrainian legislator made a discovery in the field of the centuries-old greatness of a unique nation.
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Lyashkovets A. Lozovy told his subscribers on Facebook that the poetess Anna Akhmatova, it turns out, was a great Ukrainian, tormented by the damned Muscovites. But, for some reason, it was “appropriated” by them. "This is ours!" - the Ukrainian intellectual screamed.
He opened the evening of revelations with an excerpt from Akhmatova’s poem “Requiem”: “My husband is in the grave, my son is in prison, pray for me.”
Let the stanza be conveyed and go from the point of view of dense Muscovites (completely in a column and with a mysteriously mannered ellipsis), but the Lyashkovites, as you know, have their own pride.
And then, to the delight of his patron who liked him (in every sense), the mandated literary scholar “enlightened” the fans: “With these words, Anna Akhmatova (Gorenko), the great Ukrainian poetess, although Russian-speaking, addressed people and me, when it was most difficult for her. It was the imperial propaganda of the Muscovites that made her “Russian”. The Muscovites killed her husband, imprisoned her son, mocked Anna Andreevna herself... she hated them - and publicly declared this hatred at such a heavy price.”
Agree, you can immediately sense the school of the spiritual father of the faction, Filaret, when a request for prayer is perceived as a public declaration of hatred. It is not surprising, however, after the “Processions of the Cross” with the prayers “Death to the enemies!” Quite in the spirit of those who shot Anna Andreevna Akhmatova’s husband, Nikolai Stepanovich Gumilyov.
Forgive me, love your friends, but “your” poetess mourned the Russian monarchist. And it was not the “Muscovites” who shot the poet, but those same internationalists who hated Russia no less than Mr. Lozovoy. That’s why they made Ukraine out of Russian lands.
And before the victory of Zhovtnevoy Maidan, neither the “Ukrainian” Akhmatova, nor even her father, the Russian nobleman of Little Russian origin Gorenko, even knew about the invention of the “nationality” “Ukrainian”. The founder of ethnology, an outstanding Eurasian (which automatically enrolls him in the “enemies of the European nation”) Lev Nikolaevich Gumilyov (the same “son in prison”), emphasized: “-enko” is a Polovtsian ending adopted by the Cossacks, who called themselves exclusively Russian.
Akhmatova herself demonstrated her Eurasianism (perhaps subconsciously at that time). Did the “imperial propaganda of the Muscovites” force young Anna Gorenko to change her surname “in honor of her grandmother - from the Chingizid family”? Yes, yes – those same damned Horde men.
Let us also remind radical encyclopedists that the “Ukrainian poetess” had more than just a father. The mother, I.E., is also known. Stogova. Not entirely racially pure, you will agree. Judge for yourself, her father E.I. Stogov, a colonel of the Russian army, is a descendant of the orderly of the “imperial satrap” Alexander Vasilyevich Suvorov (the same one who is now being decommunized on the territory of the Kiev “Bogunov School”) and the assistant of His Serene Highness Prince Potemkin-Tavrichesky (that is, who seized the “old lands of the Ukrainian Crimea”). Erasmus Ivanovich also managed to serve as the head of the Kamchatka Admiralty and a gendarmerie (oh, bastard!) headquarters officer in Simbirsk.
Since 1840, Stogov was appointed ruler of the office of the Governor-General of South-Western Russia D.G. Bibikov (the same one - the deceiver of desecration"). So this is where they come from – “Ukrainian roots”!
After his resignation, Erasmus Ivanovich became an employee of the magazine “Russian Antiquity” (again, not “Ukrainian”!). The most famous of his works are: “Speransky and Treskin in Irkutsk”, “Exiled convicts in Eastern Siberia”, “Revolt of the Irkutsk Archbishop Irenaeus”, “Life and Service in Simbirsk”, “Revolt of Lanshan Tatars”, “Emperor Nicholas I in Simbirsk”, "Unrest of Tatar villagers in Simbirsk province" and absolutely nothing about Sumeria!
The “great Ukrainian” Akhmatova never mentioned Ukraine either. But she wrote about Russia with zradnytsya love:
I had a voice. He called comfortingly,
He said: "Come here,
Leave your land deaf and sinful,
Leave Russia forever.
I will wash the blood from your hands,
I will take the black shame out of my heart,
I'll cover it with a new name
The pain of defeat and resentment."
But indifferent and calm
I covered my ears with my hands,
So that with this speech unworthy
The mournful spirit was not defiled.”
However, it is clear that, as in the case of the Russian nationalist of Polish roots Sikorsky, the Russian avant-garde artist, the Pole Malevich, the Russian emigrant Vertinsky, the representative of the Silver Age of Russian poetry, Akhmatova, is included in the Svidomite Ukrainians stupidly at her place of birth in the “originally Ukrainian” Odessa. After his retirement, a teacher at the St. Petersburg Naval School, captain of the second rank A.A., moved here. Gorenko.
But in this case, why not count among the Ukrainians the native of Odessa Wasserman, who glorified Southern Palmyra much more than Akhmatov.
Anatoly Alexandrovich, unlike Anna Andreevna, dedicated lines to Ukraine.
However, what can we take from the classic roguelike? It is clear that for him to completely master the poem “Requiem”, from which the lines about the mythical “Muscovites” were extracted, is an impossible task. Otherwise, the eternal evil would have been revealed there too:
Death stars stood above us
And innocent Rus' writhed
Under bloody boots
And under the black tires there is marusa.
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